Taller de Ediciones Económicas: Difference between revisions
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{{Place | |||
|place_type=Studio, Publisher | |||
|status=Active | |||
|start_year=2010 | |||
|location=Aurelio L. Gallardo 381, Guadalajara, Jalisco, 44600 | |||
|city=Guadalajara | |||
|country=Mexico | |||
|coordinates=20.682781300000, -103.376199700000 | |||
|services={{Place/service | |||
|service_type=Print for hire | |||
}} | |||
|website=http://www.t-e-e.org | |||
|inks=Black, Blue, Bright Red, Green, Teal | |||
|machines=GR3750 | |||
}} | |||
El Taller de Ediciones Económicas is a non-profit publishing house founded by Gabriela Castañeda and Nicolás Pradilla in 2010 in Guadalajara, Mexico. In its early years, it focused on publishing artist books by Mexican creators. | |||
Today, its work centers on publishing texts that engage with questions around political organization, collective work, and situated discussions. This has led them to explore public-making practices that go beyond the book object, engaging in other dialogic spaces related to image theory, meaning-making networks, memory construction, peripheral narratives, and regional knowledge systems. | |||
They pay particular attention to the circulation of discussions critically framed from the Global South and to how artistic and visual practices are locally rooted and intertwined. | |||
{{Inventory}} | {{Inventory}} | ||
Latest revision as of 16:20, 22 May 2025
| Taller de Ediciones Económicas | |
|---|---|
| Location | Aurelio L. Gallardo 381, Guadalajara, Jalisco, 44600 |
| Country | Mexico 🇲🇽 |
| Type | Studio, Publisher |
| Years active | 2010–present |
| Services | Print for hire |
| Website | t-e-e.org |
El Taller de Ediciones Económicas is a non-profit publishing house founded by Gabriela Castañeda and Nicolás Pradilla in 2010 in Guadalajara, Mexico. In its early years, it focused on publishing artist books by Mexican creators.
Today, its work centers on publishing texts that engage with questions around political organization, collective work, and situated discussions. This has led them to explore public-making practices that go beyond the book object, engaging in other dialogic spaces related to image theory, meaning-making networks, memory construction, peripheral narratives, and regional knowledge systems.
They pay particular attention to the circulation of discussions critically framed from the Global South and to how artistic and visual practices are locally rooted and intertwined.
